Archivi categoria: Report (English)

“THE BAREFOOT EMPEROR” BY JESSICA WOODWORTH AND PETER BROSENS

Article by: Arianna Vietina
Translated by: Gabriele Cepollina

After King of the Belgians (2016), King Nicholas III (played by Peter Van den Begin) is back with an unconventional sequel directed by Jessica Woodworth and Peter Brosens, The Barefoot Emperor, which depicts the crisis of identity in Europe and satirizes the major powers. The sovereign, who had crossed Europe in order to go back to Belgium, split by a coup d’état carried out by the Walloons, now has to face a new surreal threat: the disbandment of the European Parliament and the crowning of an emperor of Nova Europa.

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“ASH IS THE PUREST WHITE” BY JIA ZANGKE

Article by: Elio Sacchi

Translation by: Giulia Maiorana

Thanks also to the well-established artistic partnership with Zhao Tao, fetish actress who appears in almost every Jia Zangke’s film, the director creates a fil rouge, which links all his works. These works narrate, through their characters’ stories, the author’s life and, at the same time, the history of China, which remains in the background. Ash is the Purest White keeps going on this path, offering the viewer a journey which goes from the beginning of the century to the present days, walking a thousand miles.

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“IL GIGANTE PIDOCCHIO” BY PAOLO SANTANGELO

Article by: Marco De Bartolomeo

Translation by: Emiliana Freiria

His name is Gaspare. He is a tall and big man with large shepherd arms and a nice expression. He started working with sheeps when he was 14 years old and he never stopped since then, neither on holidays. After all – to quote one of his favourite mottos – to live truly means doing, acting, constantly moving. The rest, to him, is only mere existence. Continua la lettura di “IL GIGANTE PIDOCCHIO” BY PAOLO SANTANGELO

“CASSANDRO, THE EXOTICO!” BY MARIE LOSIER

Article by: Beatrice Ceravolo

Translation by: Zoé Kerichard-Giorgi

The relationship between a documentarian and the subjects he films is fundamental for the success of a project: in the case of Marie Losier and Cassandro, personalities of the lucha libre and protagonists of this movie contending for the TFFDoc/International section, we witness a still strong friendship, born six years ago.  Continua la lettura di “CASSANDRO, THE EXOTICO!” BY MARIE LOSIER

“OIKTOS” BY BABIS MAKRIDIS

Article by: Cristian Viteritti

Translation by: Silvia Fontana

People respond in different ways to accidents, tragedies or griefs: those who directly experiences them are immerged in contrasting feelings of denial and anger, which gradually transform into acceptance. Whereas those who are not affected by pain try to support the former, showing compassion and trying to lighten the pain of those who suffer.

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“BAD POEMS” BY GÁBOR REISZ

Article by: Cristina Danini

Translation by: Alice Marchi

As Tamàs (Gábor Reisz) is left by Anna, he doesn’t seem able to accept it. He wanders around Paris and comes back to his hometown Budapest, but he doesn’t want to talk to anybody about it. Life around him goes on, people find jobs, have children and talk about politics, but no one seems to understand him, not for real. His pain is just his, and no one else’s. Tamàs feels trapped in a mute movie where everyone passes him by, as if Anna had taken his life and his happy memories away from him. Tamàs is lost and, maybe, he really did lost himself, like it always happens when the end of a love-story hits us unexpectedly. Continua la lettura di “BAD POEMS” BY GÁBOR REISZ

“TEMPORADA” BY ANDRÉ NOVAIS OLIVEIRA

Article by: Fabrizio Spagna

Translation by: Emiliana Freiria

What clear shots this film has, and what natural colours, free from the aesthetical and lighting limitations that some works show. Temporada has a carioca soul, thanks to the vitality and the refinement that the viewer can feel and understand from the first images, while walking the boulevards on the hills of Contagem, a southern metropolis in Brasil, a huge and contradictory country.

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“HOMO BOTANICUS” BY GUILLERMO QUINTERO

Article by: Andrea Bagnasco

Translation by: Cristiana Manni

The botanist Julio Betancur and his assistant Cristian Castro walk through the Colombian jungle collecting and cataloguing numerous plant species.

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“ALL THESE SMALL MOMENTS” BY MELISSA B. MILLER

Article by: Cristina Danini

Translation by: Silvia Fontana

Howie (Brendan Meyer) is sixteen years old and he’s at mercy of his life.  His parents want to divorce, or so it seems, and at school a classmate of his brother shows interest in him, but he only has eyes for the beautiful girl he takes the bus with. They have never talked to each other, she is older and he is very clumsy, but when their eyes meet, they both smile. Continua la lettura di “ALL THESE SMALL MOMENTS” BY MELISSA B. MILLER

“UNAS PREGUNTAS” BY KRISTINA KONRAD

Article by: Fulvio Melito

Translation by: Cristiana Manni

In 237’ of pleasant and interesting interviews, Kristina Kondrad’s documentary, Unas preguntas wants to narrate the identity of Uruguayan people, tormented and, at the same time, tired from years of poverty and dictatorial and military governments, as well as its will to live freely. The opportunity to describe what was happening on the streets with a microphone and a camera arrived in 1987. At that time began the first demonstrations, which asked the Government the abrogation of amnesty to those soldiers who during the dictatorship were convicted of many crimes like the torture and kidnap of several people. From these waves of protest came the director’s will of acting as a catalyst of ordinary citizens’ thoughts. She intentionally avoids the names of politicians, writers, distinguished people and with lively curiosity walk through streets, squares and markets, looking for answers for the numerous questions, beginning every interview with: «What is peace for you? ». Peace was the word disputed between the right and the left alliance. It was what politics promised to a tired population, both with the maintenance of impunity law and with its abrogation. In a centrifuge of election propaganda, most people had their own concept of peace and everyone wanted it.

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“RELAXER” BY JOEL POTRYKUS

Article by: Cristian Viteritti

Translation by: Massimo Campostrini


There are films easy to review and others that are difficult. Relaxer, directed by the American director Joel Potrykus, deserves to enter the second category. The film is certainly one of the most singular and eccentric experiences of the Torino Film Festival: not only comedy and drama, but also science fiction and gore – shown in a totally unexpected way – come together in a mixture ready to explode in the most catastrophic event among all: the Apocalypse.

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“LAND” BY BABAK JALALI

 

Article by: Annagiulia Zoccarato

Translation by: Emiliana Freiria

 

The contemporary history of Native Americans is sad and scarcely talked about, but the Torino Film Festival seems to hold those who tell it in high regard. After Avant les rues, competing in Torino 34, and the excellent Wind River by Taylor Sheridan, previewed last year, the next one is Land by the Iranian film director Babak Jalali, made with the support of Torino Film Lab.

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36TH TORINO FILM FESTIVAL OPENING PRESS CONFERENCE

Article by:  Marco De Bartolomeo

Translation by: Luca Bassani

Turin, 13th November 2018. In theatre 3 of Cinema Massimo, Sergio Toffetti and Emanuela Martini inaugurate the 36th Torino Film Festival press conference. Beautiful Rita Hayworth’s dancing body, portrayed in the 1942 film You Were Never Lovelier by William A. Seiter, stands out in the background.

The picture we chose as the official logo for this edition – explains artistic director Martini – adequately represents the spirit of this festival, which has been involved in the research, support and promotion of the most innovative filmmakers in the global cinema industry since 1982. Therefore, freshness, energy and vitality are the keywords that led the curators’ selection.

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The “Maria Adriana Prolo” Award goes to David Grieco

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Gianluca Tana

Translation by: Valeria Tutino

It took place yesterday, Thursday November 30, the ceremony for awarding the Prize Maria Adriana Prolo to David Grieco, a ceremony introduced by Steve Della Casa in which have spoken, among the others, Caterina Taricano, director of “Mondo Novio” (that, as usual, dedicates a monograph to the winner of the Award) and Vittorio Sclaverani. The award, named after the founder of Museo Nazionale del Cinema and now at its sixteenth edition, it’s assigned every year to an artist that, during his lifetime, distinguished himself for his contribution to Italian cinematography, becoming an example and a model for future generations, a model that Grieco embodies perfectly.

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“My War Is Not Over” by Bruno Bigoni

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Annagiulia Zoccarato

Translation by: Valeria Alfieri

On the 29th of November, a special screening of the documentary “My War is not over” – shown in the section Festa Mobile, but not competing – coordinated by the Dams, took place in the Quazza Auditorium of Palazzo Nuovo, in the presence of Harry Shindler, Marco Patucchi, director Bruno Bigoni and professor Franco Prono.

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“MESSI AND MAUD” by MARLEEN JONKMAN

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Fabio Ferrari

Translation by: Cristina Di Bona

Messi and Maud wasn’t the first title of this film. When it has been presented at the Toronto International Film Festival (TIFF), its title was La Holandesa. Subsequently, the agent decided to change it for the international distribution. For the director Marleen Jonkman, her movie will always be La Holandesa. Indeed, the plot revolves around a Dutch woman. Continua la lettura di “MESSI AND MAUD” by MARLEEN JONKMAN

Opening press conference of the 35th TFF

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Marco De Bartolomeo

Translation by: Valeria Alfieri, Valeria Tutino

Blue, piercing, indiscrete: it were Kim Novak’s eyes of a witch that opened the press conference of the Torino Film Festival, which reached its 35th edition. Director Emanuela Martini has revealed all the details of the event in room 2 of Cinema Massimo in front of journalists, institutions and onlookers.

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“Les derniers parisiens” by Bourokba and Labitey

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Marco Bellani

Translation by: Riccardo Abba, Barbara Lisè

There is a city in this world that reflects the times we live in; there is a place in this city that is its metaphor. The city of Paris and its clubs: people from every walk of life, students, jailbirds, kids, transvestites, aspiring actresses, pushers and common people intertwine and meet. Everybody is looking for something, everyone hopes to get in in spite of prejudice.

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“Safe Neighborhood” by Chris Peckover – Press conference

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Valentina Di Noi

Translation by: Francesco Chiocci

Nobody would expect that something frightening could happen in a safe place but that’s what happens in this film, an anti-horror.

The director Chris Peckover prefers bright lights and colours, unlike the classic horror movie. His aim is to create an atmosphere that wouldn’t anticipate any scary event.

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“La loi de la jungle” by Antonin Peretjatko

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Sofia Nadalini

Translation by: Silvia Restelli, Chiara Tomasetta

In my experience as spectator, in general, French films are either really serious or not serious at all (in both cases in a positive way, according to my point of view). La loi de la jungle belongs to the second category, not only because it is a really funny screwball comedy (and more), but also because it becomes really parodistic and satiric to a world, the one of the political and economic European laws, that is extremely bureaucratic, absurd and crazy, without any touch with reality.

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