Tutti gli articoli di Alba Donnarumma

“Al massimo ribasso” by Riccardo Iacopino

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Erika Milani

Translation by: Valeria Tutino

Diego has a secret, that scars him like a curse and that he cannot accept: he works with the perpetrators, but lives among the victims. He steals trade secrets, through which mafia-companies win public contract tendering. It’s the understory of the plots between corruption and mob, but when Diego falls in love with Anita, he will have to make a choice.

Continua la lettura di “Al massimo ribasso” by Riccardo Iacopino

“SMETTO QUANDO VOGLIO – AD HONOREM” by SYDNEY SIBILIA

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Roberto Guida

Translation by: Valeria Tutino

“Sopox is the formula for nerve gas. For this he needed a chromatograph. This crazy man started to synthesize nerve gas!” exclaims Pietro Zinni in the last scenes of Masterclass, second chapter of the trilogy.

Ad honorem closes the saga directed and written by the young director from Campania, Sydney Sibilia who, with this third explosive chapter, shows us the last hardships of the gang of professors led by Tommaso Leo, who plays an ex researcher of neurobiology at “La Sapienza” University in Rome.

Continua la lettura di “SMETTO QUANDO VOGLIO – AD HONOREM” by SYDNEY SIBILIA

“The Death of Stalin” by Armando Iannucci

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Elio Sacchi

Translation by: Cristina Di Bona

Armando Iannucci became famous all over the world for his political satires. It is not surprising that in his desecrating comedy about the death of Stalin, Steve Buscemi plays the role of Nikita Chruščёv. This film has an internationally renowned cast, including actors such as Simon Russel Beale, Jason Isaac and Micheal Palin. The international cast is an added value to the Scottish’s director work. Continua la lettura di “The Death of Stalin” by Armando Iannucci

“Game of Death” by Sebastien Landry and Laurence Morais-Lagace

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Giuseppe Battaglia

Translation by: Martina Tormena

”Follow the rules and you won’t have trouble”: this seems to be the central idea of Game of Death, a movie that moves through different media and gives the audience lots of splatter all along.

Continua la lettura di “Game of Death” by Sebastien Landry and Laurence Morais-Lagace

“A WINDOW ON THE WORLD” by AXEL OHMAN

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Annagiulia Zoccarato

Translation by: Federica Franzosi

A Window on the Word: photography, in the end, is just that. It might be a personal shot or a photograph that has made history, but a photograph always shows and describes a small piece of world, that should not be necessarily true, but it still is a fragment of reality. And cinema is nothing but a series of moving photos, shots and snap-shots.

Continua la lettura di “A WINDOW ON THE WORLD” by AXEL OHMAN

“Napalm” by Claude Lanzmann

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Gianluca Tana

Translation by: Melissa Borgnino

Napalm is the tale of the short romantic encounter between Claude Lanzmann and a young North Korean nurse in 1958. At the time, Lanzmann was a member of the first Western delegation visiting the country after the three-year bloody war. Fate made him find himself alone with a beautiful woman of the Red Cross, with whom he fell in love. The two of them share a romantic afternoon, talking only through drawings, since the only word they can both understand is “napalm”. But the communist party doesn’t allow them to carry on their love affair and, once they find out about their relationship, they are forced to part ways. It’s a strong, intense, and romantic tale, that had the potential of becoming a fascinating story (and it did, on paper). Continua la lettura di “Napalm” by Claude Lanzmann

“THE REAGAN SHOW” by PACHO VELEZ E SIERRA PETTENGILL

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Lucia Grosso

Translation by: Valeria Alfieri

Entirely assembled from archive materials, The Reagan Show is a documentary that wants to showcase the president/actor during his “performance” in the White House, with all his contradictions and aspects. Not without irony, the movie makes us reflect on one of the most influential people during the Cold War, on his glory days and on the sudden halts experienced during his presidency.
Continua la lettura di “THE REAGAN SHOW” by PACHO VELEZ E SIERRA PETTENGILL

“Bamy” by JUN TANAKA

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Andrea Venuti

Translation by: Valeria Tutino

One day Fumiko (Hiromi Nakazato) casually meets,her ex schoolmate Ryota (Hironobu Yukinaga); driven by an irrepressible passion, the two decide to get married. Unluckily Ryouta sees some ghosts, but she doesn’t, and their relationship starts to deteriorate right away. Continua la lettura di “Bamy” by JUN TANAKA

“LAURI MÄNTYVAARAN TUUHEET RIPSET – THICK LASHES OF LAURI MÄNTYVAARAN ” by HANNALEENA HAURU

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Elio Sacchi

Translation by: Melissa Borgnino

The explosion of a bouquet, the kidnapping of a groom and a motocross escape on water are the scenes that introduce Finnish director Hannaleena Hauru’s first feature film, a grotesque and surreal coming of age story, with many cartoonish situations.

Continua la lettura di “LAURI MÄNTYVAARAN TUUHEET RIPSET – THICK LASHES OF LAURI MÄNTYVAARAN ” by HANNALEENA HAURU

“La madre, el hijo y la abuela” by Benjamín Brunet

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Annagiulia Zoccarato

Translation by: Federica Franzosi

The Onde section of the 35th Torino Film Festival includes among its titles a film that is as touching as it is delicate.  La madre, el hijo y la abuela is the first feature film by the Chilean director Benjamín Brunet, which was filmed in the city of Chaitén after the eruption of the volcano with the same name.  The movie is divided in three chapters, one for each character, and walks on the thin line between fiction and documentary.

Continua la lettura di “La madre, el hijo y la abuela” by Benjamín Brunet

“What Happened to Monday” by Tommy Wirkola

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Chiara Gioffrè

Translation by: Emanuela Ismail

In a distopian future in which governments apply the strict policy of the only child, as a consequence of the overpopulation of the earth, seven twin sisters live their lives hidden. Each of them is allow to go out only once a week, the day that matches her name. They create a single identity in which everyone brings a part of her own being: Karen Settman. Everything flows quiet, until one of them, Monday, does not come back home.

The movie (edited by Raffaella de Laurentis) was initially displaying seven twin brothers as main characters. But Tommy Wirkola made amend the script in order to ask Noomi Rapace to perform the sisters.

Continua la lettura di “What Happened to Monday” by Tommy Wirkola

“MESSI AND MAUD” by MARLEEN JONKMAN

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Fabio Ferrari

Translation by: Cristina Di Bona

Messi and Maud wasn’t the first title of this film. When it has been presented at the Toronto International Film Festival (TIFF), its title was La Holandesa. Subsequently, the agent decided to change it for the international distribution. For the director Marleen Jonkman, her movie will always be La Holandesa. Indeed, the plot revolves around a Dutch woman. Continua la lettura di “MESSI AND MAUD” by MARLEEN JONKMAN

“TITO E GLI ALIENI” by PAOLA RANDI

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Giorgia Bertino

Translation by: Valeria Tutino

“In space, every particle has a voice”: Paola Randi, director of Tito e gli alieni, chooses science fiction as a testing ground to start telling the story of an unusual family. Anita, impatient 16 year old, and her brother Tito, 7 year old and already a perfect ragamuffin who knows his own, after the death of both their parents, are entrusted to their uncle (an intense Valerio Mastandrea), ex professor and now scientist in crisis holed up in Nevada desert.

Continua la lettura di “TITO E GLI ALIENI” by PAOLA RANDI

“BARRAGE” by LAURA SCHROEDER

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Sofia Nadalini

Translation by: Laura Cocco

If you would like to watch the movie ”Barrage” without knowing that Lolita Chammah is Isabelle Huppert’s daughter, you would be surprised to see the resemblance between the two actresses. In the movie, as in the real life, they are mother and daughter.
Continua la lettura di “BARRAGE” by LAURA SCHROEDER

“LET THE SUMMER NEVER COME AGAIN” by ALEXANDRE KOBERDIZE

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Maria Cagnazzo

Translation by: Melissa Borgnino

A wind instrument played with uncertainty takes us into a blurred and just as uncertain world.

Let the Summer Never Come Again is entirely filmed with an old mobile phone, and the low quality of the images hits us with astounding force from the very beginning. The director is intentionally vague, forcing us to stay in the dark without clearly showing what is really going on. But we do not need to see well in order to understand the distress that pours out from every single sequence. This is the style of the author, which pervades the entire movie.

Continua la lettura di “LET THE SUMMER NEVER COME AGAIN” by ALEXANDRE KOBERDIZE

“NELLA GOLENA DEI MORTI FELICI” by MARCO MORANDI

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Vanessa Mangiavacca

Translation by: Federica Franzosi

The theatre fills up with ears of wheat, but they are not those of the wheat fields in Cotignola (a town in Romagna, on the banks of the Senio river) that are seen on screen during the screening of the film, but they are being distributed to cinema-goers while they are waiting to get in. “It’s a documentary, but it’s not a documentary”. Ten minutes are enough for us to understand: the rural atmosphere will very soon change into a surreal and dreamlike vibe.

Continua la lettura di “NELLA GOLENA DEI MORTI FELICI” by MARCO MORANDI

“TESNOTA – CLOSENESS” by KANTEMIR BALAGOV

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Ottavia Isaia

Translation by: Cristina Di Bona

In his first feature film, presented at the Turin Film Festival in the section Festa Mobile, Balagov tells, in some of its aspects, an autobiographical story, opened and closed by the signs that introduce the film. Nalchik, a little village in the Northern Caucasus, 1988: the life of a quiet Jewish family changes when the David (Veniamin Kats) and his girlfriend Lea are kidnapped. A high price is requested for ransom. This film wonders what a family would decide to sacrifice to save one of its members.

Continua la lettura di “TESNOTA – CLOSENESS” by KANTEMIR BALAGOV

“PAGINE NASCOSTE” by SABRINA VARANI

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Elio Sacchi

Translation by: Valeria Tutino

To write her new book, the writer Francesca Melandri does a thorough research between Italy and Ethiopia on the past of her father Franco during the fascist dictatorship, and despite he was a racist, once the war ended, he preferred to delete from his memory his affiliation to the regime. In the investigation on the parent however, the writer comes across collective stories of the war of Ethiopia, one of the most violent pages of Italian history. Continua la lettura di “PAGINE NASCOSTE” by SABRINA VARANI

“MOST BEAUTIFUL ISLAND” by ANA ASENSIO

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Dora Bugatti

Translation by: Valeria Alfieri

A series of young beautiful women who are being filmed – spied on – during their everyday life in the crowded streets of New York. This is the opening scene, during which the camera, that represents our gaze, suggests than any one of them could be the main character of the story. Any one of them could be subjected to what the future holds, instead, for Luciana, a Spanish immigrant living in the city where dreams come true. Or at least they should, according to the “American Dream”.

Continua la lettura di “MOST BEAUTIFUL ISLAND” by ANA ASENSIO

“FINDING YOUR FEET – RICOMINICIO DA ME” by RICHARD LONCRAINE

Versione inglese a cura del Master in Traduzione per il Cinema, la Televisione e l’Editoria Multimediale

Article by: Giuseppe Battaglia

Translation by: Melissa Borgnino, Federica Franzosi

The 35th edition of TFF has finally opened its doors to visitors with the showing of the film that was chosen as the unfortunate inaugural movie. It is unfortunate because, as it is always the case, this film had the responsibility of leading the way for the other ones the festival has in store, as usual drawing from a very disparate pool of genres.

Continua la lettura di “FINDING YOUR FEET – RICOMINICIO DA ME” by RICHARD LONCRAINE